Loss and Transcendence in Contemporary Art
February 8–June 7, 2020
Anne Lilly, To Be, 2016, mirror, acrylic, aluminum, stainless, delrin, engineering components, motor, micro controller, chairs. Courtesy of the artist.
The group exhibition After Spiritualism offers an occasion to reflect on personal and shared losses through varied contemporary art practices. The works on view materialize trauma and mourning, at times confronting historical conflicts and seeking to overcome long-standing divisions. The exhibition is inspired by Spiritualism’s aim to connect the living with the dead for comfort, guidance, and enlightenment.
Spiritualism is a science, religion, and philosophy that developed in the United States in the mid-nineteenth century and grew in popularity through the early twentieth century. The movement was initially defined by its aspirations for reform, as it advocated for women’s rights and suffrage, abolitionism, and democratic access to a spiritual realm. Spiritualism spread nationally and internationally. It has a rich history in New England, parts of which will be explored in a section of ephemera and artworks in the Learning Lounge that will accompany the exhibition. Espiritismo (which, while distinct from Spiritualism, shares some common features, including ties to reform and spirit communication) will also be explored through the work of some artists.
While only a few of the participating artists practice Spiritualism or Espiritismo, they all explore broader, interconnected themes such as the impact of history on the present, transgression and agency through ritual, and the experience and residue of loss.
Organized by Curator Lisa Crossman with Terrana Curatorial Fellow Marjorie Rawle.
Laylah Ali, Imna Arroyo, Julie Gray, Candice Ivy, Brian Knep, Anne Lilly, Rose Marasco, Antonio Martorell, Maria Molteni (with Lacey Prpić Hedtke), Keith Morris Washington, Rhonda Ratray, Allison Maria Rodriguez, Juan Sánchez, and Kim Weston.
Visionary New England
deCordova Sculpture Park and Museum
April 24–September 13, 2020
Recruiting for Utopia: Print and the Imagination
April 18, 2020–March 21, 2021
This cultural collaboration across three Greater Boston arts institutions will offer visitors a range of art and public programming exploring issues of utopianism and spiritualism, past and present. More information will follow.
Julie K. Gray, Postmortem: Margaret (detail), 2019, appliqué and needlepoint on C-print, 30” x 40”.
Courtesy of the artist.
Allison Maria Rodriguez, In the Presence of Absence – José María & Ike (video still), 2017–2019,
multi-channel video installation. Courtesy of the artist.